Clever Girl, camera zoom in
Camera zoom in,
changes the focal length without moving the camera. A subject framed in a wider view is framed in a closer view without a cut. Used for dramatic effect, it is an unnatural technique. It is a substitute for a match cut or a character dolly. It’s unnaturalness draws attention to itself and should be used sparingly.
Job 30:26: Character dolly.
or push-in, is when the camera approaches its subject. Often the the character is first framed in a wide view before the approaching. The camera can close in slowly for an emotional effect or quickly for an exciting effect. It is a substitute for zoom or a match-cut for a specific purpose at the decision of the director.
Two Riddles Project, camera dolly behind and front
The Camera Dolly, may have variations following its subject or leading them. When the camera trails the subjects, the audience has a view where they are going as if they were an uncounted member of the group. Sometimes, we want to capture the reactions by leading them. Instead of seeing where they are going, we see where they have been. A slight, subtle, but effective differences between the two.
Rated T for Teen, camera dolly with variation reveal in background.
The Camera Dolly, Reveal in Background is a technique introducing a new subject, generally from the left or right edge as the camera travels horizontally as the new subject appears in the background. The shift in focus is more subtle than the variation reveal in foreground. The separation of depth may go unnoticed by the audience and is most effective as subconscious messaging or a method of foreshadowing.
Rated T for Teen, camera dolly with variation reveal in foreground.
The Camera Dolly, Reveal in Foreground is a technique introducing a new subject, generally from the left or right edge as the camera travels horizontally as the new subject is introduced in the foreground. The subtle focus from one to other is helped by the separation of depth.